Daniel A. Siedell
On my last visit to New York, I went to the Museum of Modern Art to see The Scream, a 36” x 28.9” drawing in pastel by Edvard Munch (1863–1944) on loan from a private collector. It is one of four versions the artist made of the famous subject: a genderless figure, standing on a […]
After 25 years of working in the art world, I remain fascinated by the sheer absurdity and vulnerability of a life devoting to loading a paint brush with smelly, messy pigments and smearing them along a scrap of canvas with the belief and hope that it will become more than the sum of its materials […]
On my last visit to New York, I went to the Museum of Modern Art to see The Scream, a little drawing in pastel by Edvard Munch on loan from a private collector. It is one of four versions that the artist made of the famous subject: a genderless figure, standing on a bridge, holding […]
As a lover of art in general and abstraction in particular, I have wrestled with a number of questions. What is art? What constitutes good art? What responsibilities does the artist bear in transmitting one's work to one's audience? What responsibilities (if any) does the audience have in receiving such work? And what happens when […]
