William Edgar
William Edgar (PhD, DThéol, Université de Genève) is professor of apologetics at Westminster Theological Seminary (Philadelphia), an associate professor at the Faculté Jean Calvin, and an accomplished musician.
When I was growing up, my father had a rather extensive collection of 78 RPM records, the ones made of shellac in the first half of the twentieth century before vinyl took over. […]
In his regrettably overlooked book, The Gravedigger File, Os Guinness portrays the subversion of the North American church using a literary method similar to C. S. Lewis' Screwtape Letters. (1) In a series of memos a senior intelligence agent trains his successor in the spiritual warfare of undermining Christian impact. Each memo describes a successful […]
It was educational, if distressing, to read some college newspapers right after September 11, 2001. Students were often shocked by the unspeakable cruelty of the terrorist acts and had no problem calling them “evil.” Some professors, however, had a different take. “You haven’t listened to us!” was their rhetoric. In the vigorous exchanges that flooded […]
In a famous review of Richard Wright’s Black Boy in 1945, Ralph Ellison eloquently describes the blues as a form: The blues is an impulse to keep the painful details and episodes of a brutal experience alive in one’s aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of […]
Most textbooks on the philosophy of religion have a section on the existence of God. (For an example, see Philosophy of Religion: An Anthology, 3rd ed., edited by Louis P. Pojman, Belmont: Wadsworth Publishing Co., 1998.) Usually, some kind of introductory statement is made about how thinkers have debated whether God's existence can be demonstrated […]
In every instance in the lyrical arts, but especially Christmas music, we sing what we feel. If you want to know what a certain group believes about the biblical message, go to a Christmas service and ask why a certain repertoire is chosen. In some cases the choice of old-fashioned music represents keeping a wall […]
